LOQUENDO ONLINE / 01

Loquendo text to speech. From draft to take.

You don’t need a microphone to find out whether a story works. You need to hear it. Turn a short piece of writing into a take you can review, revise, and bring into your edit.

Open the Loquendo studio

01 / THE LOQUENDO STUDIO

Give it a voice.

Your Loquendo space to write, listen, and try again.

TXT → MP380 / 500 characters

Loquendo accepts up to 500 characters per take. Free generation has a daily allowance.

Words first. Then press play.

00:00

LOQUENDO / VOICE NOTEBOOK

Your first take in Loquendo

Sometimes finding the idea is the easy part. Starting is what takes a little encouragement. Loquendo text to speech lets you hear an opening paragraph without preparing a room, choosing a microphone, or recording an entire passage again because of one awkward word. Enter up to 500 characters, choose a narrator, and generate a take. Listen in the Loquendo player, then download the MP3 when it sounds right. Free trials have a daily allowance and depend on service capacity. You do not need to enter card details to try a short passage.

Before conversion, write for a listener

A sentence that reads well on a page can be difficult to follow in audio. In Loquendo, think about the person hearing your explanation without seeing it. Introduce the subject before the details. Break a long list into thoughts that arrive in a clear order. Avoid relying on brackets, slashes, or symbols to carry an important part of the meaning. For a tutorial, describe one action at a time. For a story, use ordinary punctuation to separate scenes. After generating a take in Loquendo, revise what you hear rather than only correcting what you see on the page.

A small revision beats ten complete retakes

Start a Loquendo text to speech trial with the trickiest passage in your project: a surname, a date, an address, or a word borrowed from another language. That is a more useful audition than an easy greeting. If the reading is ambiguous, spell out the number or expand the abbreviation. When comparing narrators in Loquendo, use the same passage so the comparison means something. Automatic speech does not guarantee exact pronunciation, and a human listening pass remains part of the process. Take particular care with material containing instructions or information that someone may rely on.

From your Loquendo take to the edit

The Loquendo MP3 download can be opened in common audio players and video editors. Give each file a name that identifies its scene and script version. Leave a little breathing room between passages in the edit, and check that music does not drown out the spoken words. To correct a line, revise a copy of the writing and create another take. The Loquendo player is not a permanent archive: download the audio before you close the tab and keep the original script separately so you can reconstruct or improve the project later.

Two languages, with different jobs

Loquendo has a Spanish interface and an English interface. The Loquendo narration language is a separate choice in the editor and should match the writing you enter. Changing ES to EN in the navigation does not translate a script. For a bilingual explanation, prepare a written version for each audience and generate the passages separately. Literal translation can sound unnatural when spoken. Adapt examples, expressions, and forms of address to the listener, then review both recordings with equal care. A familiar voice does not make an unfamiliar turn of phrase easier to understand.

Before you publish

Loquendo.ai is independent of the legacy Loquendo application and does not promise to reproduce its original voices. The current Loquendo collection can change. Only use writing you have permission to process, and review the applicable voice terms for your intended use. Do not attribute synthetic audio to a real person or imply an endorsement without permission. Disclose synthetic narration when the context requires it. A clear relationship with your audience matters as much as a clear recording: think about what you are saying and how you are presenting the voice that says it.

LOQUENDO / YOUR NEXT TAKE

Keep track of your Loquendo takes

For a project with several scenes, keep a simple list of passage names, script versions, and chosen narrators. In Loquendo, make the lines that define the tone first, then work on the transitions. Add a scene number when you download each Loquendo MP3 so the files stay in order. Keep a take you still want to compare instead of overwriting it. If you work with someone else, share the writing as well and explain what changed between versions. Listening together can reveal a shift in intention that you have stopped noticing after repeated takes. Save the final script and approved audio outside Loquendo so your next session starts from a clear reference.

Keep exploring the studio.

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